| 1
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Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) |
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06:25 |
| 2
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Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) |
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04:59 |
| 3
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Italian Concerto, BWV971: i. Allegro |
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04:12 |
| 4
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Italian Concerto, BWV971: ii. Andante |
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05:04 |
| 5
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Italian Concerto, BWV971: iii. Presto |
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04:00 |
| 6
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to per |
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01:49 |
| 7
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of th |
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01:17 |
| 8
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) |
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02:28 |
| 9
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends co |
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00:27 |
| 10
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione |
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01:06 |
| 11
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Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione |
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02:20 |
| 12
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Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin |
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02:48 |
| 13
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Toccata in C Minor, BWV911 |
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10:07 |
| 14
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French Suite No. 3 in B Minor BWV814: i. Allemande |
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02:08 |
| 15
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French Suite No. 3 in B Minor BWV814: ii. Courante |
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01:23 |
| 16
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French Suite No. 3 in B Minor BWV814: iii. Sarabande |
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02:36 |
| 17
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French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio |
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01:22 |
| 18
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French Suite No. 3 in B Minor BWV814: v. Gavotte |
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02:58 |
| 19
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French Suite No. 3 in B Minor BWV814: vi. Gigue |
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01:14 |
| 20
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French Suite No. 4 in E-flat Major, BWV815: i. Allemande |
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01:21 |
| 21
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French Suite No. 4 in E-flat Major, BWV815: ii. Courante |
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01:15 |
| 22
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French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande |
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01:34 |
| 23
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French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte |
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01:07 |
| 24
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French Suite No. 4 in E-flat Major, BWV815: v. Air |
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01:25 |
| 25
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French Suite No. 4 in E-flat Major, BWV815: vi. Menuet |
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00:58 |
| 26
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French Suite No. 4 in E-flat Major, BWV815: vii. Gigue |
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02:31 |
| 27
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme |
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07:15 |
| 28
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt |
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01:13 |
| 29
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil |
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06:05 |
| 30
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') |
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04:39 |
| 31
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir |
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01:49 |
| 32
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! |
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04:14 |
| 33
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Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen |
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01:56 |
| 34
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden |
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05:45 |
| 35
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt |
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03:51 |
| 36
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn |
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02:04 |
| 37
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg |
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02:33 |
| 38
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm |
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03:49 |
| 39
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest |
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01:57 |
| 40
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Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl |
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01:18 |
| 41
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein |
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02:51 |
| 42
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt |
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06:01 |
| 43
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor |
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01:29 |
| 44
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt |
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02:21 |
| 45
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht |
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01:26 |
| 46
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Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr |
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00:45 |
| 47
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir |
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04:34 |
| 48
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib |
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05:36 |
| 49
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken |
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01:09 |
| 50
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Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren |
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09:24 |
